Jennifer and Kevin McCoy are a Brooklyn, New York-based married couple who make art together. They work with interactive media, film, performance and installation to explore personal experience in relation with new technology, the mass media, and global commerce. They often re-examine classic genres and works of cinema, science fiction or television narrative, creating sculptural objects, net art, robotic movies or live performance. They were awarded a 2011 Guggenheim Fellowship.[1][2]
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In 1999, Jennifer and Kevin McCoy undertook the "World Views" residency programme on the World Trade Center's 91st floor. From this residency, the artists developed a series of interventions into global capitalism. For example, the McCoys created web-based banner ads satirizing corporate aesthetics and jargon. The artists then used the Doubleclick.com network to distribute 1 million of these banner ads over one month, from mid-August to mid-September 1999. Doubleclick.com, which sponsored the project, did not inform sites on which the ads were displayed that they were playing host to an artistic intervention.[3]
The McCoys are well-known for their database pieces, in which they break down a series of films or TV shows into individual shots, and categorise them according to a classification schema of their own making. For example, the piece 'Every Shot Every Episode' (2001) was a collection of 10,000 shots from the Starsky and Hutch television series that were categorised according to 278 categories such as 'every plaid', 'every sexy outfit', 'every yellow Volkswagen'. Shots relating to each category were then burned to video CD and installed on a shelf in the gallery along with a small, specially designed video player.
In 2004, the dormant Saarinen-designed TWA Flight Center (now Jetblue Terminal 5) at JFK Airport briefly hosted an art exhibition called Terminal 5[4] curated by Rachel K. Ward[5] and featuring the work of 18 artists[6] including Jennifer & Kevin McCoy. The show featured work, lectures and temporary installations drawing inspiration from the idea of travel — and the terminal's architecture.[6] The show was to run from October 1, 2004 to January 31, 2005[6] — though it closed abruptly after the building itself was vandalized during the opening party.[5][7]
More recently, the McCoys have been creating works that use miniature dioramas similar to model railroads or dolls' houses. Live video cameras are embedded in each diorama, capturing the miniature figures and landscapes from various angles. The resulting video feeds are then sequenced by special computer software which acts as the film editor, creating a real-time animated film sequence to be projected on the gallery wall. In 'Soft Rains' (2003), the McCoys recreated archetypal scenes from cinema in this miniature form, making references to films such as Goldfinger, Friday the 13th, and Blue Velvet. The 'Traffic' series (2004) were recreations of moments from the artists' personal histories when they had a particular memory of viewing specific films. For example, Traffic #1: Our Second Date recreates the McCoys' second date when they went to see a film by Jean-Luc Godard at a cinema in Paris.
The McCoys met in Paris in 1990.[8] They subsequently studied together at Rensselaer Polytechnic Institute in Troy, New York where they both received their MFA in Electronic Art, studying in part under Pauline Oliveros.[9]
Articles about their work have appeared in Art in America,[10] Artforum, The Wire, dArt International, Spin Magazine, Feed, and The Independent. They won a Wired Magazine Rave Award, in the Art Category for 2005.[11] Their work is held in museum collections including the Metropolitan Museum of Art,[12] MoMA,[8] and Mudam.[13] A number of individual collectors also own their work, including actor Bill Paxton.[14]
The McCoys were involved in academic programs at MoMA. They live and work in Brooklyn, New York.
Soft Rains (2003)
Airworld (1999)
Small Appliances (1997)